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The Social History of Smoking

George Latimer Apperson

Chapter 7:

With the reign of Queen Anne tobacco had entered on a period, destined to be of long duration, when smoking was to a very large extent under a social ban. Pipe-smoking was unfashionable—that is to say, was not practised by men of fashion, and was for the most part regarded as "low" or provincial—from the time named until well into the reign of Queen Victoria. The social taboo was by no means universal—some of the exceptions will be noted in these pages—but speaking broadly, the general, almost universal smoking of tobacco which had been characteristic of the earlier decades of the seventeenth century did not again prevail until within living memory.

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The Social History of Smoking

George Latimer Apperson

Chapter 15:

Notwithstanding the few examples given above, tobacconists, more than most tradesmen, seem to have continued to use signs that had at least some relevance to their trade. Abel Drugger was a "tobacco-man," i.e. a tobacco-seller in Ben Jonson's play of "The Alchemist," 1610, so that it is not very surprising to find the name used occasionally as a tobacconist's sign. Towards the end of the eighteenth century one Peter Cockburn traded as a tobacconist at the sign of the "Abel Drugger" in Fenchurch Street, and informed the public on the advertising papers in which he wrapped up his tobacco for customers that he had formerly been shopman at the Sir Roger de Coverley-a notice which has preserved the name of another tobacconist's sign borrowed from literature. Seventeenth-century London signs were the "Three Tobacco Pipes," "Two Tobacco Pipes" crossed, and "Five Tobacco Pipes." At Edinburgh in the eighteenth century there were tobacconists who used two pipes crossed, a roll of tobacco and two leaves over two crossed pipes, and a roll of tobacco and three leaves.

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